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Raiments: by Lærke Ryom

Forthcoming exhibition
19 Mars - 23 Mai 2026
  • Œuvres
  • Présentation
  • Vues de l'exposition
Lærke Ryom, Daybed, 2026
Lærke Ryom, Daybed, 2026
Lærke Ryom, Daybed, 2026
Lærke Ryom, Daybed, 2026
Lærke Ryom, Daybed, 2026
Lærke Ryom, Daybed, 2026
Lærke Ryom, Daybed, 2026

Lærke Ryom

Daybed, 2026
Wool, Canvas, Powder-coated steel
52 x 254 x 81 cm
20 1/2 x 100 x 31 7/8 in
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%3Cdiv%20class%3D%22artist%22%3EL%C3%A6rke%20Ryom%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EDaybed%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E2026%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EWool%2C%20Canvas%2C%20Powder-coated%20steel%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E52%20x%20254%20x%2081%20cm%3Cbr/%3E%0A20%201/2%20x%20100%20x%2031%207/8%20in%3C/div%3E

Plus d'images

  • (View a larger image of thumbnail 1 ) Johann Lötz Witwe for Klostermühle, Lidded Glass Container (Deckeldose), c. 1916
  • (View a larger image of thumbnail 2 ) Johann Lötz Witwe for Klostermühle, Lidded Glass Container (Deckeldose), c. 1916
  • (View a larger image of thumbnail 3 ) Johann Lötz Witwe for Klostermühle, Lidded Glass Container (Deckeldose), c. 1916
  • (View a larger image of thumbnail 4 ) Johann Lötz Witwe for Klostermühle, Lidded Glass Container (Deckeldose), c. 1916
  • (View a larger image of thumbnail 5 ) Johann Lötz Witwe for Klostermühle, Lidded Glass Container (Deckeldose), c. 1916
  • (View a larger image of thumbnail 6 ) Johann Lötz Witwe for Klostermühle, Lidded Glass Container (Deckeldose), c. 1916
  • (View a larger image of thumbnail 7 ) Johann Lötz Witwe for Klostermühle, Lidded Glass Container (Deckeldose), c. 1916
View on a Wall
Draped over a discreet steel structure, the daybed is made of Kvadrat wool, stitched entirely by hand into quilted channels that follow the geometry of the frame. The textile does...
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Draped over a discreet steel structure, the daybed is made of Kvadrat wool, stitched entirely by hand into quilted channels that follow the geometry of the frame. The textile does not conceal the structure but responds to it, softening its edges and tempering its weight. At either end, the wool extends beyond the steel, folding toward the floor in a gesture that suggests both gravity and release. Quilting introduces comfort, embedding care directly into the form and keeping the frame and garment visibly interdependent.
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