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Charlotte Moreno Kølkjær
Danish, b. 1990

Charlotte Moreno Kølkjær Danish, b. 1990

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Charlotte Moreno Kølkjær’s Oyster Vase, a large textured glazed stoneware vessel in pale grey, blue, and brown tones with a contrasting flesh-red interior, displayed on a white pedestal as part of the exhibition Vanitas in Use II at Innenkreis. Charlotte Moreno Kølkjær, Oyster Vase, glazed stoneware, 56 × 31 × 25 cm. The artist contributes a ceramic oyster vessel with a flesh-like red interior, transforming a traditional symbol of ephemeral luxury and physical indulgence into an indication of anatomical vulnerability and certain decay. Part of Vanitas in Use II at Innenkreis.
Charlotte Moreno Kølkjær’s Oyster Vase, a large textured glazed stoneware vessel in pale grey, blue, and brown tones with a contrasting flesh-red interior, displayed on a white pedestal as part of the exhibition Vanitas in Use II at Innenkreis. Charlotte Moreno Kølkjær, Oyster Vase, glazed stoneware, 56 × 31 × 25 cm. The artist contributes a ceramic oyster vessel with a flesh-like red interior, transforming a traditional symbol of ephemeral luxury and physical indulgence into an indication of anatomical vulnerability and certain decay. Part of Vanitas in Use II at Innenkreis.
Charlotte Moreno Kølkjær’s Oyster Vase, a close-up showing the vessel’s layered, textured surface in pale grey, blue, and brown tones alongside its contrasting flesh-red glazed interior, part of the exhibition Vanitas in Use II at Innenkreis. Charlotte Moreno Kølkjær, Oyster Vase, glazed stoneware, 56 × 31 × 25 cm. Part of Vanitas in Use II at Innenkreis. Photo by Robert Damisch.
Installation view of Vanitas in Use II at Innenkreis, featuring Face by Pettersen Hein, Charlotte Moreno Kølkjær’s Black Oyster Vase, Sbaenk in walnut by Anne Jaedicke, Enfold chair by Lærke Ryom and a late Baroque Giltwood Glory (Strahlenkranz). Installation view of Vanitas in Use II at Innenkreis, featuring Face by Pettersen Hein, Charlotte Moreno Kølkjær’s Black Oyster Vase, Sbaenk in walnut by Anne Jaedicke, Enfold chair by Lærke Ryom and a late Baroque Giltwood Glory (Strahlenkranz). Photo by Robert Damisch.

Charlotte Moreno Kølkjær Danish, b. 1990

Oyster Vase
Glazed stoneware
56 x 31 x 25 cm
22 x 12 1/4 x 9 7/8 in
Copyright The Artist
Enquire
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Further images

  • (View a larger image of thumbnail 1 ) Charlotte Moreno Kølkjær’s Oyster Vase, a large textured glazed stoneware vessel in pale grey, blue, and brown tones with a contrasting flesh-red interior, displayed on a white pedestal as part of the exhibition Vanitas in Use II at Innenkreis.
  • (View a larger image of thumbnail 2 ) Charlotte Moreno Kølkjær’s Oyster Vase, a large textured glazed stoneware vessel in pale grey, blue, and brown tones with a contrasting flesh-red interior, displayed on a white pedestal as part of the exhibition Vanitas in Use II at Innenkreis.
  • (View a larger image of thumbnail 3 ) Charlotte Moreno Kølkjær’s Oyster Vase, a close-up showing the vessel’s layered, textured surface in pale grey, blue, and brown tones alongside its contrasting flesh-red glazed interior, part of the exhibition Vanitas in Use II at Innenkreis.
  • (View a larger image of thumbnail 4 ) Installation view of Vanitas in Use II at Innenkreis, featuring Face by Pettersen Hein, Charlotte Moreno Kølkjær’s Black Oyster Vase, Sbaenk in walnut by Anne Jaedicke, Enfold chair by Lærke Ryom and a late Baroque Giltwood Glory (Strahlenkranz).
Charlotte Moreno Kølkjær contributes with a ceramic oyster vessel with a flesh-like red interior, transforming a traditional symbol of ephemeral luxury and physical indulgence into an indication of anatomical vulnerability and certain decay.
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