• Bauernschrank, Bavaria, 1843 — a tall painted softwood cupboard with a black ground and polychrome decoration of flowering plants in pots and two red hearts, 167 cm high.
    Not Attributed
    Bauernschrank, Bavaria/Bad Tölz, 1843
    Softwood, black ground with polychrome painted decoration
    167 x 107 x 40 cm
    65 3/4 x 42 1/8 x 15 3/4 in
  • Baroque Collector's Cabinet, 18th century — a small cabinet with an ebonised dome top and walnut doors inlaid with star marquetry, brass corner fittings, and a red tassel on the lock.
    Not Attributed
    Baroque Collector's Cabinet, Austria, 18th cc
    Softwood, partly veneered and marquetried with star motifs; 9 interior drawers, partly painted and lined with paper wallpaper; brass fittings, lock and key.
    39 x 36 x 17 cm
    15 3/8 x 14 1/8 x 6 3/4 in
  • Josef Hoffmann, Four Nesting Tables, Model No. 988, 1905. Set of four stained beechwood nesting tables with geometric lattice sides and warm brown finish.
    Josef Hoffmann
    Four Nesting Tables, Model No. 988, 1905
    Beechwood, beech plywood; three tables stained light brown, the smallest table stained mahogany brown
    74.8 x 62 x 44.7 cm
    29 1/2 x 24 3/8 x 17 5/8 in
  • Anton Pospischil, Armchair, 1900. Solid walnut armchair with curved horseshoe backrest, black leather seat, and brass-capped feet.
    Anton Pospischil
    Armchair, 1900
    Solid walnut, black leather, brass
    77 x 64.8 x 59.5 cm
    30 1/4 x 25 1/2 x 23 3/8 in
  • Gio Ponti, Table Lamp, Model No. 0388, 1933. Brass table lamp with engraved crystal glass panel depicting a stylized figural design.
    Gio Ponti
    Table Lamp, Model No. 0388, 1933
    Brass and engraved crystal glass
    30 x 26 x 7 cm
    11 3/4 x 10 1/4 x 2 3/4 in
    Sold
  • Cream upholstered armchair with black trim and sculptural draped sides by Lærke Ryom, 2022.
    Lærke Ryom
    Armchair, 2026
    Wool, canvas, powder-coated steel
    81 x 84 x 52 cm
    31 7/8 x 33 1/8 x 20 1/2 in
    Edition of 8 + 1 AP in aluminum frame
  • Lærke Ryom, Piano Bench, 2026. Sculptural upholstered bench in cream wool with black edging and powder-coated steel frame.
    Lærke Ryom
    Piano Bench, 2026
    Wool, Canvas, Powder-coated steel
    65 x 152 x 41 cm
    25 5/8 x 59 7/8 x 16 1/8 in
  • Lærke Ryom, Daybed, 2026. Sculptural upholstered daybed in brown wool with channel stitching, black edging, and powder-coated steel frame.
    Lærke Ryom
    Daybed, 2026
    Wool, Canvas, Powder-coated steel
    52 x 254 x 81 cm
    20 1/2 x 100 x 31 7/8 in
  • Lærke Ryom, Floor Lamp, 2026. Illuminated textile-covered floor lamp with channel stitching, black edging, and sculptural draped form.
    Lærke Ryom
    Floor Lamp, 2026
    Wool, Canvas, Led light, Powder-coated steel, cord
    143 x 40 x 40 cm
    56 1/4 x 15 3/4 x 15 3/4 in
  • Textile-covered table lamp with curved square shade and black trim by Lærke Ryom, 2026.
    Lærke Ryom
    Table Lamp, 2026
    Wool, Canvas, Led light, Powder-coated steel, cord
    53 x 30 x 30 cm
    20 7/8 x 11 3/4 x 11 3/4 in
    Edition of 8
  • Lærke Ryom, Wall Lamp, 2026. Illuminated wall-mounted lamp with cream textile surface, channel stitching, and black edging.
    Lærke Ryom
    Wall Lamp, 2026
    Wool, Canvas, Led light, Aluminum, cord
    40 x 17 x 14 cm
    15 3/4 x 6 3/4 x 5 1/2 in
    Edition of 8
  • Lasse Sylvest Lilleør, Layer 8549 — a chair 3D-printed in pale resin, its frame formed from intricate organic lattice resembling bone or root structures, with a tall double-peaked back.
    Lasse Sylvest Lilleoer
    Layer 8549, 2025
    3D print PLA, resin and ink
    85 x 55 x 5 cm
    33 1/2 x 21 5/8 x 2 in
  • Clara Schweers, Entangled glass mirror (2024) in a web-like structure, hanging on the wall.
    Clara Schweers
    Entangled Mirror, 2024
    Bullseye Glass
    57 x 37 x 1 cm
    22 1/2 x 14 5/8 x 3/8 in
  • Clara Schweers, A bit of Love (2025). Wall-mounted light sculpture composed of two curved neon tubes glowing red, surrounded by delicate borosilicate glass forms that resemble floating filigree or organic growths. Suspended against a neutral wall, the work combines luminous light with intricate transparent glass elements.
    Clara Schweers
    A bit of Love, 2025
    Borosilicate Glass, Neon Gas, Transformer, PLA
    40 x 25 x 18 cm
    15 3/4 x 9 7/8 x 7 1/8 in
  • Clara Schweers, Far Far Away Mirror T-M, 2025, a glass mirror in a web-like shape, hanging on a wall.
    Clara Schweers
    Far Far Away Mirror T-M, 2025
    Bullseye Glass
    57 x 34 x 1 cm
    22 1/2 x 13 3/8 x 3/8 in
  • Clara Schweers, Untitled, 2026. Borosilicate Glass in formation of a human figurine in from of delicate glass flower petals. Illuminated by a tube of neon gas.
    Clara Schweers
    Untitled, 2026
    Borosilicate Glass, Argon Gas, Transformer, PLA
    27 x 14.9 x 6 cm
    10 5/8 x 5 7/8 x 2 3/8 in
  • Maral Taskirici, Bloom, Bruise, Rot, 2026. Glazed ceramic with pearl luster. Wallmounted and in style of traditional wall fountains. White ceramic with purple details, like a female figure and flowers.
    Maral Taskirici
    Bloom, Bruise, Rot, 2026
    Glazed ceramic with pearl luster
    52 x 34 x 13 cm
    20 1/2 x 13 3/8 x 5 1/8 in
  • Cast tin mirror by Et Arrangement, Speculum 01, the metal surface marked by beetle tunnels with a mirror set into an irregular central opening, 30 × 14 cm.
    Et Arrangement
    Speculum 01, 2026
    Cast tin, mirror, black linseed oil-treated birch veneer MDF
    30 x 14 x 4.5 cm
    11 3/4 x 5 1/2 x 1 3/4 in
  • Et Arrangement, Speculum 02 — a tall, narrow cast tin wall mirror, its surface covered in a dense pattern of winding channels and ridges, with a long irregular opening at the centre revealing a mirror set within, 33 × 12 cm.
    Et Arrangement
    Speculum 02, 2026
    Cast tin, mirror, black linseed oil-treated birch veneer MDF
    33 x 12 x 5.5 cm
    13 x 4 3/4 x 2 1/8 in
  • Et Arrangement, Speculum 03 — a small upright cast tin wall mirror, its surface worked with long vertical channels and ridges, with an irregular opening toward the lower centre revealing a mirror set within, 24.5 × 14.5 cm.
    Et Arrangement
    Speculum 03, 2026
    Cast tin, mirror, black linseed oil-treated birch veneer MDF
    24.5 x 14.5 x 4 cm
    9 5/8 x 5 3/4 x 1 5/8 in
  • Et Arrangement, Speculum 04 — an upright cast tin wall mirror, its surface worked with horizontal rib-like channels, with an irregular opening toward the lower right where an iridescent mirror catches warm pink and amber tones, 24.5 × 14 cm.
    Et Arrangement
    Speculum 04, 2026
    Cast tin, mirror, black linseed oil-treated birch veneer MDF
    24.5 x 14 x 4 cm
    9 5/8 x 5 1/2 x 1 5/8 in
  • Et Arrangement, Speculum 05, 2026 — an upright cast tin wall mirror, its surface worked with horizontal rib-like channels, with an irregular opening, 30 x 22 x 3.5 cm.
    Et Arrangement
    Speculum 05, 2026
    Cast tin, mirror, black linseed oil-treated birch veneer MDF
    30 x 22 x 3.5 cm
    11 3/4 x 8 5/8 x 1 3/8 in
  • Cast tin mirror by Et Arrangement, Speculum 06, the metal surface marked by beetle tunnels with a mirror set into an irregular central opening.
    Et Arrangement
    Speculum 06, 2026
    Cast tin, mirror, black linseed oil-treated birch veneer MDF
    27 x 27 x 4 cm
    10 5/8 x 10 5/8 x 1 5/8 in
  • Cast tin mirror by Et Arrangement, Speculum 07, the metal surface marked by beetle tunnels with a mirror set into an irregular central opening.
    Et Arrangement
    Speculum 07, 2026
    Cast tin, mirror, black linseed oil-treated birch veneer MDF
    30 x 23.5 x 3.5 cm
    11 3/4 x 9 1/4 x 1 3/8 in
  • Cast tin mirror by Et Arrangement, Speculum 08, the metal surface marked by beetle tunnels with a mirror set into an irregular central opening.
    Et Arrangement
    Speculum 08, 2026
    Cast tin, mirror, black linseed oil-treated birch veneer MDF
    19.5 x 14 x 5 cm
    7 5/8 x 5 1/2 x 2 in
  • Indio Möglich, Dionysus received by Icarius, 2026. White glass vase with twin handles and applied iridescent floral ornaments in metallic tones.
    Indio Möglich
    Dionysus received by Icarius, 2026
    Glass
    38 x 31 x 32 cm
    15 x 12 1/4 x 12 5/8 in
    Sold
  • Indio Möglich, The Roman Aqueducts were Infested with Birds, 2026. Amphora-shaped ivory glass vase with sculptural handles, gold luster bird-like motifs, and iridescent applied details.
    Indio Möglich
    The Roman Aqueducts were Infested with Birds, 2026
    Glass, gold luster
    31 x 26 x 20 cm
    12 1/4 x 10 1/4 x 7 7/8 in
  • Indio Möglich, Pont de Gard, before Christ, 2026. Amphora-shaped ivory glass vase with flowing handles and gold luster ornamentation.
    Indio Möglich
    Pont de Gard, before Christ, 2026
    Glass, Gold Luster
    31 x 28 x 21 cm
    12 1/4 x 11 x 8 1/4 in
  • Indio Möglich, Even My Skull is Lined with Gold, 2026. Transparent glass skull sculpture with gold luster detailing and organic sculptural elements emerging from the crown.
    Indio Möglich
    Even My Skull is Lined with Gold, 2026
    Glass, Gold Luster
    20 x 17 x 17 cm
    7 7/8 x 6 3/4 x 6 3/4 in
  • Indio Möglich, Sunbathing in Ithaca, 2026. Translucent blue glass skull sculpture with crown-like floral and crystalline glass elements.
    Indio Möglich
    Sunbathing in Ithaca, 2026
    Glass
    19 x 17 x 17 cm
    7 1/2 x 6 3/4 x 6 3/4 in
  • Indio Möglich, Pope Paschal I's Left Eye Socket, 2026. Textured glass skull sculpture with iridescent metallic surface and crown-like sculptural elements.
    Indio Möglich
    Pope Paschal I's Left Eye Socket, 2026
    Glass
    18 x 15 x 15 cm
    7 1/8 x 5 7/8 x 5 7/8 in
  • Thomas Woltmann, Bird Bath (2026). Sculptural bird bath constructed from hand-glazed ceramic tiles in warm ochre tones, forming a geometric, architectural structure with stacked vertical supports and two square basins at the top.
    Thomas Woltmann
    Bird Bath, 2026
    Ceramic tiles, hand glazed with natural ochre pigments.
    87 x 46 x 46 cm
    34 1/4 x 18 1/8 x 18 1/8 in
  • Theodor Stundl, Two brass reliefs with female profiles, c. 1920. Wall mounted and shiny surface, with iridescent glow.
    Theodor Stundl
    Two brass reliefs with female profiles, c. 1920
    brass decorated in relief
    28.9 x 14.3 x 1.9 cm
    11 3/8 x 5 5/8 x 3/4 in
  • Tronhjem Rømer, Color Occurrence, 2022. Screen print on wool, reactive dyes (hand printed). Variable, site-specific. Flowy textile panels with earth-toned nuances.
    Tronhjem Rømer
    Color Occurrence, 2022
    Screen print on wool, reactive dyes (hand printed)
    Variable, site-specific.
    Current installation: 340 x 260 x 15 cm
    133 7/8 x 102 3/8 x 5 7/8 in
  • Tronhjem Rømer, Bed Crown, 2026. Textile work hanging from ceiling, draped fabric with intricate digital printed patterns.
    Tronhjem Rømer
    Bed Crown, 2026
    Digital print on silk, magnets
    200 x 260 x 110 cm
    78 3/4 x 102 3/8 x 43 1/4 in

    dimensions variable, site-specific
  • A minimalist wall-mounted light by Tronhjem Rømer consisting of a tall, narrow rectangular panel with fluorescent yellow reflective strips running vertically along each side.
    Tronhjem Rømer
    Lumi L 1, 2026
    Powder coated steel, color reflectors, LED
    160 x 28 x 4 cm
    63 x 11 x 1 5/8 in
  • Lumi L 2 by Tronhjem Rømer, a tall rectangular wall-mounted light with pale blue reflective bands framing a warm yellow center, softly illuminated by integrated LEDs.
    Tronhjem Rømer
    Lumi L 2, 2026
    Powder coated steel, color reflectors, LED
    160 x 28 x 4 cm
    63 x 11 x 1 5/8 in
  • Lumi L 3 by Tronhjem Rømer, a tall vertical light sculpture with a pale blue center framed by warm yellow reflective bands, emitting a soft LED glow against a white gallery wall.
    Tronhjem Rømer
    Lumi L 3, 2026
    Powder coated steel, color reflectors, LED
    160 x 27.9 x 4.1 cm
    63 x 11 x 1 5/8 in
    Sold
  • Lumi S 1 by Tronhjem Rømer, a compact wall-mounted light featuring pale blue and vivid orange reflective bands set within a warm yellow frame, softly illuminated by integrated LEDs.
    Tronhjem Rømer
    Lumi S 1, 2026
    Powder-coated steel, colour reflectors, LED
    56 x 28 x 4 cm
    22 x 11 x 1 5/8 in
  • Lumi S 2 by Tronhjem Rømer, a compact wall-mounted light with a pale blue frame and center, accented by warm yellow reflective bands and a soft LED glow.
    Tronhjem Rømer
    Lumi S 2, 2026
    Powder-coated steel, colour reflectors, LED
    56 x 28 x 4 cm
    22 x 11 x 1 5/8 in
  • Lumi S 3 by Tronhjem Rømer, a compact wall-mounted light with a luminous yellow-green center framed by pale pink reflective bands, emitting a soft LED glow.
    Tronhjem Rømer
    Lumi S 3, 2026
    Powder-coated steel, colour reflectors, LED
    56 x 28 x 4 cm
    22 x 11 x 1 5/8 in
  • Lumi S 4 by Tronhjem Rømer, a compact wall-mounted light with a pale pink center flanked by luminous yellow-green reflective bands, softly illuminated by integrated LEDs.
    Tronhjem Rømer
    Lumi S 4, 2026
    Powder-coated steel, colour reflectors, LED
    56 x 28 x 4 cm
    22 x 11 x 1 5/8 in
  • Lumi L 4 by Tronhjem Rømer, a tall wall-mounted light with a luminous yellow-green center framed by pale pink reflective bands, softly glowing against a white gallery wall.
    Tronhjem Rømer
    Lumi L 4, 2026
    Powder-coated steel, colour reflectors, LED
    160 x 28 x 4 cm
    63 x 11 x 1 5/8 in
  • Lighting Layers 3 by Tronhjem Rømer and Anna Søgaard, a suspended textile light work composed of translucent printed cotton stretched between slender metal rods. Soft bands of gold and cream filter the integrated LED light, creating a layered, atmospheric glow.
    Tronhjem Rømer & Anna Søgaard
    Lighting Layers 3, 2025
    Screen print on cotton, wood, steel, LED and wire
    70 x 60 x 5 cm
    27 1/2 x 23 5/8 x 2 in
  • Lighting Layers 1 by Tronhjem Rømer and Anna Søgaard, a suspended textile light work composed of translucent printed cotton stretched between slender metal rods. Soft bands of gold and cream filter the integrated LED light, creating a layered, atmospheric glow.
    Tronhjem Rømer & Anna Søgaard
    Lighting Layers 1, 2025
    Screen print on cotton, wood, steel, LED and wire
    70 x 60 x 5 cm
    27 1/2 x 23 5/8 x 2 in
  • Lighting Layers 2 by Tronhjem Rømer and Anna Søgaard, a suspended textile light work composed of translucent printed cotton stretched between slender metal rods. Soft bands of gold and cream filter the integrated LED light, creating a layered, atmospheric glow.
    Tronhjem Rømer & Anna Søgaard
    Lighting Layers 2, 2025
    Screen print on cotton, wood, steel, LED and wire
    70 x 60 x 5 cm
    27 1/2 x 23 5/8 x 2 in
  • Tronhjem Rømer, Color Space, 2024. Draped textile from ceiling, draped in 3 layers, where the pattern and colours create a tranquil effect.
    Tronhjem Rømer
    Color Space, 2024
    Reactive dye, digital print on silk
    540 x 350 x 110 cm
    212 5/8 x 137 3/4 x 43 1/4 in
  • Johann Lötz Witwe for Klostermühle, Lidded Glass Container (Deckeldose), c. 1916. May-green glass container with black enamel floral decoration and black glass finial.
    Johann Lötz Witwe for Klostermühle
    Lidded Glass Container (Deckeldose), c. 1916
    Clear glass underlaid in May-green; black enamel decoration; black glass finial
    19.7 x 15 x 15 cm
    7 3/4 x 5 7/8 x 5 7/8 in
  • Tall green marble pedestal with a twisted spiral column, stepped square top, and octagonal base, Vienna, circa 1900.
    Not Attributed
    Pedestal, Vienna, c. 1900
    Green marble (probably Verde Alpi)
    111 x 29 x 39.5 cm
    43 3/4 x 11 3/8 x 15 1/2 in
  • Bertel Thorvaldsen, Night — a circular cast plaster relief of a winged female figure flying, carrying two sleeping children, with an owl below, 80 cm diameter.
    Berthel Thorvaldsen, after
    Night (Natten), 1815 (model), this one cast by Thorvaldsen Museum in late 19th - early 20th cc
    Cast plaster
    80 x 80 x 5 cm
    31 1/2 x 31 1/2 x 2 in
  • Female Profile Fragment, Italy, probably late 19th–early 20th century. Limestone relief fragment depicting a woman's profile with flowing wavy hair.
    Not Attributed
    Female Profile Fragment, Italy, Probably late 19th–early 20th century
    Limestone
    20 x 20 x 7 cm
    7 7/8 x 7 7/8 x 2 3/4 in
  • Pair of embossed brass Baroque wall sconces with reflective panels and candle holders, Denmark, 18th century.
    Not Attributed
    Pair of Baroque Brass Wall Sconces, Denmark, 18th cc
    Embossed brass
    134.6 x 78.7 x 50.8 cm
    53 x 31 x 20 in
  • Patinated zinc corner console from the late 19th century. Cast in the form of a winged cherub emerging from scrolling acanthus ornament, the wall-mounted shelf combines classical architectural motifs with sculptural decoration.
    Not Attributed
    Patinated Zinc Corner Console, Late 19th cc
    Cast and patinated zinc with iron reinforcement
    42 x 60 x 40 cm
    16 1/2 x 23 5/8 x 15 3/4 in
    Sold
  • Anne Jaedicke’s Sbaenk, a sculptural walnut bench with an integrated high-backed chair form, installed in a white gallery space beneath a small purple wall-mounted artwork.
    Anne Jaedicke
    Sbaenk, 2026
    Walnut
    75 x 169 x 41 cm
    29 1/2 x 66 1/2 x 16 1/8 in
  • Charlotte Moreno Kølkjær’s Oyster Vase, a large textured glazed stoneware vessel in pale grey, blue, and brown tones with a contrasting flesh-red interior, displayed on a white pedestal as part of the exhibition Vanitas in Use II at Innenkreis.
    Charlotte Moreno Kølkjær
    Oyster Vase
    Glazed stoneware
    56 x 31 x 25 cm
    22 x 12 1/4 x 9 7/8 in
  • Charlotte Moreno Kølkjær’s Black Oyster Vase, a textured black and reddish-brown glazed stoneware vessel, displayed on a white pedestal as part of the exhibition Vanitas in Use II at Innenkreis.
    Charlotte Moreno Kølkjær
    Black Oyster Vase
    Glazed stoneware
    35 x 25 x 18 cm
    13 3/4 x 9 7/8 x 7 1/8 in
  • Charlotte Moreno Kølkjær’s Portal Mirror, an irregular wall-mounted mirror framed by layered glazed stoneware in deep green, teal and blue tones, installed on a white gallery wall.
    Charlotte Moreno Kølkjær
    Portal Mirror
    Glazed stoneware, glass mirror
    34 x 39 x 9 cm
    13 3/8 x 15 3/8 x 3 1/2 in
  • Et Arrangement’s Triptych I, a black three-panel wall-mounted work with burnished brass hinges and hand-patterned, labyrinth-like lines inspired by the traces of woodboring beetles beneath old oak bark.
    Et Arrangement
    Triptych I, 2026
    MDF, hand-patterned, treated with black linseed oil, montage with burnished brass hinges.
    Unfolded measurements:
    30 x 48 cm
    11 3/4 x 18 7/8 in

    Folded measurements:
    30 x 23 cm
  • Et Arrangement’s Triptych II, a black three-panel wall-mounted work with burnished brass hinges and hand-patterned, labyrinth-like lines inspired by the traces of woodboring beetles beneath old oak bark.
    Et Arrangement
    Triptych II, 2026
    MDF, hand-patterned, treated with black linseed oil, montage with burnished brass hinges.
    Unfolded measurements:
    29 x 68 cm
    11 3/8 x 26 3/4 in

    Folded measurements:
    29 x 27 cm
  • Et Arrangement’s Triptych III, a black three-panel wall-mounted work with burnished brass hinges and hand-patterned, labyrinth-like lines inspired by the traces of woodboring beetles beneath old oak bark.
    Et Arrangement
    Triptych III, 2026
    MDF, hand-patterned, treated with black linseed oil, montage with burnished brass hinges.
    Unfolded measurements:
    23 x 43 cm
    9 x 16 7/8 in

    Folded measurements:
    23 x 18 cm
  • (Sn) skrin bore (2025) by Et Arrangement. A sculptural shrine-like object made from tin and discarded, ruined tin objects, with irregular surfaces and traces inspired by the patterns left by woodboring beetles. Part of Vanitas in Use II at Innenkreis.
    Et Arrangement
    (Sn) Skrin bore, 2025
    Tin, excess material and discarded, ruined tin objects
    7 x 29 x 21 cm
    2 3/4 x 11 3/8 x 8 1/4 in
  • Indio Möglich’s Typhon and Echidna Sitting on a Tree, a sculptural glass vase with an iridescent purple finish and fluid applied dragon-like forms, displayed on a white plinth against a white gallery wall.
    Indio Möglich
    Typhon and Echidna Sitting on a Tree, 2026
    Glass
    37 x 27 x 32 cm
    14 5/8 x 10 5/8 x 12 5/8 in
  • Indio Möglich’s The Sixth Labour of Hercules, a wide translucent green glass centrepiece with engraved bird-like figures and small glass crosses around the base, displayed on a white plinth against a black background.
    Indio Möglich
    The Sixth Labour of Hercules, 2026
    Glassware
    15 x 57 x 57 cm
    5 7/8 x 22 1/2 x 22 1/2 in
  • ‘61 parts, 133 joints, 449 dowels’ Rocking Chair by Lasse Sylvest Lilleør, 2026. A large bone-blue rocking chair with an open, skeletal structure, formed by interconnected curved elements and numerous irregular openings. The chair has a high back and rounded rocking base. Featured in Extrude, Bridge, Fill at Innenkreis.
    Lasse Sylvest Lilleoer
    `61 parts, 133 joints, 449 dowels´ Rocking Chair, 2026
    PLA, resin, dye
    H 119,4 x W 88,1 x D 146,2 cm

    470 1/8 x 346 7/8 x 575 5/8 in
  • ‘Sleigh Chair’ by Lasse Sylvest Lilleør, 2026. A compact dark-blue chair with an open, skeletal structure, irregular organic openings, curved supports and a glossy textured finish. The chair has a high back, integrated armrests and four sculptural legs. Featured in Extrude, Bridge, Fill at Innenkreis.
    Lasse Sylvest Lilleoer
    Sleigh Chair, 2026
    PETG, resin, dye, steel tubes
    87 x 60 x 71 cm

    34 1/4 x 23 5/8 x 28 in
  • ‘Crawler Coffee Table’ by Lasse Sylvest Lilleør, 2026. Back view of the black coffee table with a smooth rectangular top supported by four sculptural, animal-like legs with elongated feet and claw-like toes. Featured in Extrude, Bridge, Fill at Innenkreis.
    Lasse Sylvest Lilleoer
    Crawler Coffee Table, 2026
    PETG, resin, dye, steel tubes
    46.1 x 76.6 x 117.8 cm
    18 1/8 x 30 1/8 x 46 3/8 in
  • Dazing Devil’ by Lasse Sylvest Lilleør, 2026. Sculptural sun lounger in black ASA and steel bolts, shaped like an elongated spine, featured in Extrude, Bridge, Fill at Innenkreis.
    Lasse Sylvest Lilleoer
    Dazing Devil, 2026
    ASA, Bolts
    64.3 x 57.9 x 181.4 cm
    25 1/4 x 22 3/4 x 71 3/8 in
  • ‘Radiated Rib Vase Large’ by Lasse Sylvest Lilleør, 2026. A blue sculptural vase with an open, skeletal structure of curved, rib-like elements forming an irregular vessel with numerous elongated openings. Featured in Extrude, Bridge, Fill at Innenkreis.
    Lasse Sylvest Lilleoer
    Radiated rib vase large, 2026
    PLA, resin, dye
    28.5 x 27 x 27 cm
    11 1/4 x 10 5/8 x 10 5/8 in
  • ‘Radiated Rib Vase Small’ by Lasse Sylvest Lilleør, 2026. Blue vase in PLA, resin and dye, featuring an open, skeletal structure inspired by ribcages, featured in Extrude, Bridge, Fill at Innenkreis.
    Lasse Sylvest Lilleoer
    Radiated rib vase small, 2026
    PLA, resin, dye
    14 x 27 x 27 cm
    5 1/2 x 10 5/8 x 10 5/8 in
  • ‘Radiated Spiked Rib Vase’ by Lasse Sylvest Lilleør, 2026. Black vase in PLA, resin and dye, featuring an open, skeletal structure with elongated, spiked rib-like forms, featured in Extrude, Bridge, Fill at Innenkreis.
    Lasse Sylvest Lilleoer
    Radiated spiked rib vase, 2026
    PLA, resin, dye
    31 x 27 x 27 cm
    12 1/4 x 10 5/8 x 10 5/8 in
  • Lærke Ryom, Piano Bench, 2026. Sculptural upholstered bench in cream wool with black edging and powder-coated steel frame.
    Lærke Ryom
    Piano Bench Custom Size, 2026
    Wool, Canvas, Powder-coated steel
    65 x 178 x 45.5 cm
    25 5/8 x 70 1/8 x 17 7/8 in
  • Lærke Ryom’s Enfold Chair, a low lounge chair upholstered in dark brown ruched leather, with a tall folded back and seat supported by a brushed stainless-steel frame, shown in a sunlit white gallery space.
    Lærke Ryom
    Enfold Chair, 2026
    Leather, canvas, horn, brushed stainless steel.
    73 x 60 x 65 cm
    28 3/4 x 23 5/8 x 25 5/8 in
  • Provincial Plank Chair (Brettstuhl), 1800s — a dark-stained carved wooden chair with a tall shaped backrest, a knight and a squire carved in profile within circular medallions, a solid plank seat, and three splayed legs, seen at an angle.
    Not Attributed
    Provincial Plank Chair (Brettstuhl) with Carved Knight and Squire, Austria, 1800s
    Carved wood, dark-stained
    93 x 44 x 64 cm
    36 5/8 x 17 3/8 x 25 1/4 in
    Seat height 45 cm
  • ‘Late Baroque Giltwood Glory (Strahlenkranz)’, c. 1750–1780. Alpine Central European carved and water-gilded wood altar fragment, featuring stylized bulbous clouds radiating deep-faceted and jagged rays, with traces of reddish bole visible beneath the worn gold leaf. Featured in Vanitas In Use II at Innenkreis.
    Not Attributed
    Late Baroque Giltwood Glory (Strahlenkranz), Circa 1750–1780
    Carved wood, water-gilded over red bole
    Diameter 70 cm
    Diameter 27 1/2 in
  • A Neoclassical Marquetry Cherrywood and Walnut Side Table, late 19th century. Rectangular wooden table with a pictorial marquetry landscape depicting a farmhouse, tree, winding path and distant castle, raised on four tapered, fluted legs.
    Not Attributed
    A Neoclassical Marquetry Cherrywood and Walnut Side Table, Late 19th Century
    Polished cherrywood and walnut veneers; inlaid with various precious hardwoods, partially scorched (gebrannte Marketerie)
    81 x 99.5 x 70.5 cm
    31 7/8 x 39 1/8 x 27 3/4 in
  • Pettersen Hein’s All-inclusive Bird Resort, a sculptural concrete birdbath with a rough, heavily textured surface in mottled yellow, green, pink and grey pigments, formed from irregular stacked volumes with hollow openings and basin-like tops.
    Pettersen Hein
    All-inclusive Bird Resort
    Concrete and pigments.
    76 x 75 x 54 cm
    29 7/8 x 29 1/2 x 21 1/4 in
  • Pettersen Hein’s Superbloom Planter, a sculptural concrete planter with a rough, heavily textured surface covered in blue, yellow, brown, pink, grey and white pigments, with an open circular top and irregular protruding forms around the base.
    Pettersen Hein
    Superbloom Planter
    Concrete and pigments.
    26 x 42 x 34 cm
    10 1/4 x 16 1/2 x 13 3/8 in
  • Pettersen Hein’s Face, a small circular wall-mounted concrete work in mottled purple tones, with a rough textured surface and simple smiling facial features formed from embedded and incised elements.
    Pettersen Hein
    Face
    Concrete and pigments.
    28 x 32 x 6 cm
    11 x 12 5/8 x 2 3/8 in