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Anton Pospischil, Armchair, 1900. Solid walnut armchair with curved horseshoe backrest, black leather seat, and brass-capped feet. Anton Pospischil, Armchair, 1900, Solid walnut, black leather, brass, 77 x 64.8 x 59.5 cm.
Anton Pospischil, Armchair, 1900. Solid walnut armchair with curved horseshoe backrest, black leather seat, and brass-capped feet. Anton Pospischil, Armchair, 1900, Solid walnut, black leather, brass, 77 x 64.8 x 59.5 cm.
Anton Pospischil, Armchair, 1900. Rear three-quarter view of a solid walnut armchair with curved backrest, black leather seat, and slender geometric supports. Anton Pospischil, Armchair, 1900, Solid walnut, black leather, brass, 77 x 64.8 x 59.5 cm.
Anton Pospischil, Armchair, 1900. Backside view of a solid walnut armchair with curved horseshoe backrest, black leather seat, and brass-capped feet. Anton Pospischil, Armchair, 1900, Solid walnut, black leather, brass, 77 x 64.8 x 59.5 cm.
Installation view featuring Anton Pospischil's Armchair (1900) displayed between two illuminated wall sconces by Lærke Ryom. Installation view: Anton Pospischil, Armchair, 1900, Solid walnut, black leather, brass, 77 x 64.8 x 59.5 cm. Lærke Ryom, Wall Lamp, 2026, Wool, Canvas, Led light, Aluminum, cord, 40 x 17 x 14 cm. Photo by Line Klein.
Installation view featuring a white upholstered armchair and floor lamp by Lærke Ryom, displayed alongside a small side table and wooden chair by Anton Pospischil. Installation view: Anton Pospischil, Armchair, 1900, Solid walnut, black leather, brass, 77 x 64.8 x 59.5 cm. Lærke Ryom Floor Lamp, 2026, Wool, Canvas, Led light, Powder-coated steel, cord, 143 x 40 x 40 cm. Lærke Ryom, Armchair, 2022, Wool, canvas, aluminum, 81 x 84 x 52 cm. Photo by Line Klein.
Installation view of Raiments at Innenkreis: a floor lamp, a circular plaster relief, a wooden armchair, and a curved upholstered chair arranged along a white gallery wall. Installation view, Raiments by Lærke Ryom, with armchair by Anton Pospichil, Innenkreis, Copenhagen, 2026. Photo by Line Klein
Historic photograph of a dining room with armchair by Anton Pospischil, featuring dark-stained furniture, geometric wood paneling, and exposed ceiling beams. Anton Pospischil, Armchair, 1900, Solid walnut, black leather, brass, 77 x 64.8 x 59.5 cm. Mentioned in Das Interieur II.

Anton Pospischil Austrian, 1842-1906

Armchair, 1900
Solid walnut, black leather, brass
77 x 64.8 x 59.5 cm
30 1/4 x 25 1/2 x 23 3/8 in
Enquire
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Further images

  • (View a larger image of thumbnail 1 ) Anton Pospischil, Armchair, 1900. Solid walnut armchair with curved horseshoe backrest, black leather seat, and brass-capped feet.
  • (View a larger image of thumbnail 2 ) Anton Pospischil, Armchair, 1900. Solid walnut armchair with curved horseshoe backrest, black leather seat, and brass-capped feet.
  • (View a larger image of thumbnail 3 ) Anton Pospischil, Armchair, 1900. Rear three-quarter view of a solid walnut armchair with curved backrest, black leather seat, and slender geometric supports.
  • (View a larger image of thumbnail 4 ) Anton Pospischil, Armchair, 1900. Backside view of a solid walnut armchair with curved horseshoe backrest, black leather seat, and brass-capped feet.
  • (View a larger image of thumbnail 5 ) Installation view featuring Anton Pospischil's Armchair (1900) displayed between two illuminated wall sconces by Lærke Ryom.
  • (View a larger image of thumbnail 6 ) Installation view featuring a white upholstered armchair and floor lamp by Lærke Ryom, displayed alongside a small side table and wooden chair by Anton Pospischil.
  • (View a larger image of thumbnail 7 ) Installation view of Raiments at Innenkreis: a floor lamp, a circular plaster relief, a wooden armchair, and a curved upholstered chair arranged along a white gallery wall.
  • (View a larger image of thumbnail 8 ) Historic photograph of a dining room with armchair by Anton Pospischil, featuring dark-stained furniture, geometric wood paneling, and exposed ceiling beams.

Designed and manufactured by Anton Pospischil and exhibited at the 1900/1901 Winter Exhibition at the MAK – Museum für angewandte Kunst, this armchair reflects the progressive edge of Viennese design at the turn of the century. It is composed of walnut with a gently curved backrest, disciplined vertical slats, and a triangular stretcher that articulates the architectural construction of an armchair. The proportion and line are in focus. The chair stands at the threshold between late 19th-century craftsmanship and the emerging language of the Vienna Secession.

Published in Kunst und Kunsthandwerk (1901) and Das Interieur (1901), it was conceived not merely as seating, but as a statement of refined domestic modernity: the collectible design of its moment.

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Provenance

Winter Exhibition 1900/1901, Museum für Kunst und Industrie (today MAK), Vienna

Literature

Kunst und Kunsthandwerk, 1901
Das Interieur, 1901
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