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A wall-mounted artwork by Maral Taskirici consisting of a dark wooden cross-shaped frame containing white glazed ceramic tiles painted in lilac purple. The central image depicts a female figure, Eve, surrounded by fruit-bearing branches, foliage and birds. The cross hangs from a curved wooden arm attached to a rectangular wall mount, allowing it to extend away from the wall. Maral Taskirici, Cross My Heart, 2024. Glazed ceramic and wood. 64 × 20 × 42 cm. Signed and dated by the artist. Exhibited in She-Devil at Innenkreis, Copenhagen. Photo by Robert Damisch.
Detail view of a wall-mounted artwork by Maral Taskirici consisting of a dark wooden cross-shaped frame containing white glazed ceramic tiles painted in lilac purple. The central image depicts a female figure, Eve, surrounded by fruit-bearing branches, foliage and birds. The cross hangs from a curved wooden arm attached to a rectangular wall mount, allowing it to extend away from the wall. Detail view of Maral Taskirici, Cross My Heart, 2024. Glazed ceramic and wood. 64 × 20 × 42 cm. Signed and dated by the artist. Exhibited in She-Devil at Innenkreis, Copenhagen. Photo by Robert Damisch.
Wide installation view of She-Devil at Innenkreis, showing a bright, white gallery space with a large arched window and sunlight falling across the pale floor. On the left wall, two narrow, vertically mounted works by Anne Søgaard Frandsen, Embodied Alchemy, feature warm reddish-brown and golden surfaces. At the centre, Marie Holst's framed textiles Hånd and Snegl hang above Anne Skaarup Jaedicke's sculptural walnut chair Busy Butler and low table G2. On the right wall, Maral Taskirici's Cross My Heart, a ceramic cross with lilac imagery set in dark wood, extends from a wooden wall bracket. Installation view of She-Devil at Innenkreis, Copenhagen, featuring Embodied Alchemy (2026) by Anne Søgaard Frandsen (left), Hånd and Snegl (2024) by Marie Holst, Busy Butler and G2 (2026) by Anne Skaarup Jaedicke, and Cross My Heart (2022) by Maral Taskirici (right). Photo by Robert Damisch.
Installation view of She-Devil at Innenkreis, featuring Maria Koshenkova's Yngel III, a multicoloured glass sculpture extending from the wall on a pink steel bracket, and Charlotte Moreno Kølkjær's Tridacna Vorax IV, a small ceramic wall sculpture with a red centre and jagged edges. Three ceramic heads by Sara Samsøe Moghaddas, Ooooooooh! 1, Ooooooooh! 2 and Ooooooooh! 3, are displayed on white plinths. Also featured are Maral Taskirici's Cross My Heart, a ceramic cross with lilac imagery set in dark wood, and an antique Austrian three-legged plank chair with a carved backrest depicting a knight and squire. Installation view of She-Devil at Innenkreis, Copenhagen, featuring Yngel III (2026) by Maria Koshenkova, Tridacna Vorax IV (2026) by Charlotte Moreno Kølkjær, Ooooooooh! 1, Ooooooooh! 2 and Ooooooooh! 3 (2026) by Sara Samsøe Moghaddas, Cross My Heart (2022) by Maral Taskirici, and Provincial Plank Chair (Brettstuhl) with Carved Knight and Squire, Austria, 1800s. Photo by Robert Damisch.
A wall-mounted artwork by Maral Taskirici consisting of a dark wooden cross-shaped frame containing white glazed ceramic tiles painted in lilac purple. The central image depicts a female figure, Eve, surrounded by fruit-bearing branches, foliage and birds. The cross hangs from a curved wooden arm attached to a rectangular wall mount, allowing it to extend away from the wall. Maral Taskirici, Cross My Heart, 2024. Glazed ceramic and wood. 64 × 20 × 42 cm. Signed and dated by the artist. Exhibited in She-Devil at Innenkreis, Copenhagen. Photo by Robert Damisch.

Maral Taskirici

Cross My Heart, 2024
Glazed ceramic, wood
64 x 20 x 42 cm
25 1/4 x 7 7/8 x 16 1/2 in
Enquire
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Further images

  • (View a larger image of thumbnail 1 ) A wall-mounted artwork by Maral Taskirici consisting of a dark wooden cross-shaped frame containing white glazed ceramic tiles painted in lilac purple. The central image depicts a female figure, Eve, surrounded by fruit-bearing branches, foliage and birds. The cross hangs from a curved wooden arm attached to a rectangular wall mount, allowing it to extend away from the wall.
  • (View a larger image of thumbnail 2 ) Detail view of a wall-mounted artwork by Maral Taskirici consisting of a dark wooden cross-shaped frame containing white glazed ceramic tiles painted in lilac purple. The central image depicts a female figure, Eve, surrounded by fruit-bearing branches, foliage and birds. The cross hangs from a curved wooden arm attached to a rectangular wall mount, allowing it to extend away from the wall.
  • (View a larger image of thumbnail 3 ) Wide installation view of She-Devil at Innenkreis, showing a bright, white gallery space with a large arched window and sunlight falling across the pale floor. On the left wall, two narrow, vertically mounted works by Anne Søgaard Frandsen, Embodied Alchemy, feature warm reddish-brown and golden surfaces. At the centre, Marie Holst's framed textiles Hånd and Snegl hang above Anne Skaarup Jaedicke's sculptural walnut chair Busy Butler and low table G2. On the right wall, Maral Taskirici's Cross My Heart, a ceramic cross with lilac imagery set in dark wood, extends from a wooden wall bracket.
  • (View a larger image of thumbnail 4 ) Installation view of She-Devil at Innenkreis, featuring Maria Koshenkova's Yngel III, a multicoloured glass sculpture extending from the wall on a pink steel bracket, and Charlotte Moreno Kølkjær's Tridacna Vorax IV, a small ceramic wall sculpture with a red centre and jagged edges. Three ceramic heads by Sara Samsøe Moghaddas, Ooooooooh! 1, Ooooooooh! 2 and Ooooooooh! 3, are displayed on white plinths. Also featured are Maral Taskirici's Cross My Heart, a ceramic cross with lilac imagery set in dark wood, and an antique Austrian three-legged plank chair with a carved backrest depicting a knight and squire.
  • (View a larger image of thumbnail 5 ) A wall-mounted artwork by Maral Taskirici consisting of a dark wooden cross-shaped frame containing white glazed ceramic tiles painted in lilac purple. The central image depicts a female figure, Eve, surrounded by fruit-bearing branches, foliage and birds. The cross hangs from a curved wooden arm attached to a rectangular wall mount, allowing it to extend away from the wall.

Cross My Heart (2024) by Maral Taskirici brings together religious imagery and the decorative traditions of painted ceramics. Set within a dark wooden cross, white glazed tiles depict Eve in delicate lilac tones, reaching among fruit-bearing branches as birds circle around her. The cross is suspended from a wooden wall bracket, giving the work a presence that extends beyond the traditional format of a framed image.


Presented as part of She-Devil at Innenkreis, the work revisits one of the most enduring female figures in Christian mythology. Eve has long been associated with temptation, disobedience and humanity's fall from grace, her story frequently used to frame female curiosity and desire as dangerous. Within the exhibition's exploration of female agency, Eve becomes a figure through whom ideas of transgression and the right to make one's own choices can be reconsidered.

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