Maral Taskirici, Cross My Heart, 2024. Glazed ceramic and wood. 64 × 20 × 42 cm. Signed and dated by the artist. Exhibited in She-Devil at Innenkreis, Copenhagen. Photo by Robert Damisch.
Detail view of Maral Taskirici, Cross My Heart, 2024. Glazed ceramic and wood. 64 × 20 × 42 cm. Signed and dated by the artist. Exhibited in She-Devil at Innenkreis, Copenhagen. Photo by Robert Damisch.
Installation view of She-Devil at Innenkreis, Copenhagen, featuring Embodied Alchemy (2026) by Anne Søgaard Frandsen (left), Hånd and Snegl (2024) by Marie Holst, Busy Butler and G2 (2026) by Anne Skaarup Jaedicke, and Cross My Heart (2022) by Maral Taskirici (right). Photo by Robert Damisch.
Installation view of She-Devil at Innenkreis, Copenhagen, featuring Yngel III (2026) by Maria Koshenkova, Tridacna Vorax IV (2026) by Charlotte Moreno Kølkjær, Ooooooooh! 1, Ooooooooh! 2 and Ooooooooh! 3 (2026) by Sara Samsøe Moghaddas, Cross My Heart (2022) by Maral Taskirici, and Provincial Plank Chair (Brettstuhl) with Carved Knight and Squire, Austria, 1800s. Photo by Robert Damisch.
Maral Taskirici, Cross My Heart, 2024. Glazed ceramic and wood. 64 × 20 × 42 cm. Signed and dated by the artist. Exhibited in She-Devil at Innenkreis, Copenhagen. Photo by Robert Damisch.
Maral Taskirici
25 1/4 x 7 7/8 x 16 1/2 in
Further images
Cross My Heart (2024) by Maral Taskirici brings together religious imagery and the decorative traditions of painted ceramics. Set within a dark wooden cross, white glazed tiles depict Eve in delicate lilac tones, reaching among fruit-bearing branches as birds circle around her. The cross is suspended from a wooden wall bracket, giving the work a presence that extends beyond the traditional format of a framed image.
Presented as part of She-Devil at Innenkreis, the work revisits one of the most enduring female figures in Christian mythology. Eve has long been associated with temptation, disobedience and humanity's fall from grace, her story frequently used to frame female curiosity and desire as dangerous. Within the exhibition's exploration of female agency, Eve becomes a figure through whom ideas of transgression and the right to make one's own choices can be reconsidered.
