Extrude, Bridge, Fill presents a series of 3D-printed works by Copenhagen-based designer Lasse Sylvest Lilleør that explore the boundary between furniture, sculpture, and digital fabrication. Taking its title from commands used in 3D modeling software, the exhibition brings together four functional objects whose organic, anatomical forms retain visible traces of their digital production.
Works include an oversized rocking chair constructed from bone-like ligaments, the animalistic Crawler Coffee Table, the spinal-form Dazing Devil sun lounger, and the Sleigh Chair. Across the collection, Lilleør uses tools including Rhino and Blender to push 3D printing beyond conventional reproduction, embracing complex geometries, iterative processes, and surfaces that reveal how each object was made rather than concealing it.