Lærke Ryom, Enfold Chair, 2026. Leather, canvas, horn and brushed stainless steel, 73 × 60 × 65 cm. Edition of 8. Signed and dated by the artist. Ruched leather is constructed around the frame like a garment, creating a skin-like surface where upholstery and structure merge. Installation view, Vanitas in Use II, Innenkreis. Photo: Robert Damisch.
Lærke Ryom, Enfold Chair, 2026. Leather, canvas, horn and brushed stainless steel, 73 × 60 × 65 cm. Edition of 8. Signed and dated by the artist. Ruched leather is constructed around the frame like a garment, creating a skin-like surface where upholstery and structure merge. Installation view, Vanitas in Use II, Innenkreis. Photo: Robert Damisch.
Installation view of Vanitas in Use II at Innenkreis, featuring Face by Pettersen Hein, Charlotte Moreno Kølkjær’s Ostra Reliquiae X, Sbaenk in walnut by Anne Jaedicke, Enfold chair by Lærke Ryom and a late Baroque Giltwood Glory (Strahlenkranz). Photo by Robert Damisch.
Lærke Ryom b. 1995
Enfold Chair, 2026
Leather, canvas, horn, brushed stainless steel.
73 x 60 x 65 cm
28 3/4 x 23 5/8 x 25 5/8 in
28 3/4 x 23 5/8 x 25 5/8 in
Copyright The Artist
Further images
Lærke Ryom’s ruched leather Enfold Chair carries itself with a seductive, skin-like presence, continuing the approach to upholstery-as-garment she set out in Raiments, Innenkreis' opening exhibition. The leather is cut and constructed as a garment for the frame, ruched into vertical folds and drawn tight across them, until base and upholstery read as one surface.