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Vanitas in Use II
The second chapter, 27 August - 17 October 2026

Vanitas in Use II: The second chapter

Current exhibition
  • Works
  • Overview
  • Installation Views
A Neoclassical Marquetry Cherrywood and Walnut Side Table, late 19th century. Rectangular wooden table with a pictorial marquetry landscape depicting a farmhouse, tree, winding path and distant castle, raised on four tapered, fluted legs. A Neoclassical Marquetry Cherrywood and Walnut Side Table, late 19th century. Austro-Hungarian, in polished cherrywood and walnut veneers with precious hardwood marquetry and scorched detailing. Featured in Vanitas In Use II at Innenkreis.
A Neoclassical marquetry cherrywood and walnut side table, late 19th century, with an inlaid landscape top, single drawer, and four tapered fluted legs. A Neoclassical Marquetry Cherrywood and Walnut Side Table, late 19th century. Austro-Hungarian, in polished cherrywood and walnut veneers with precious hardwood marquetry and scorched detailing. Featured in Vanitas In Use II at Innenkreis.
Frontal view of a Neoclassical marquetry cherrywood and walnut side table, late 19th century, an inlaid landscape top, single drawer open, and four tapered fluted legs. A Neoclassical Marquetry Cherrywood and Walnut Side Table, late 19th century. Austro-Hungarian, in polished cherrywood and walnut veneers with precious hardwood marquetry and scorched detailing. Featured in Vanitas In Use II at Innenkreis.
A close-up view of the Neoclassical marquetry tabletop, featuring a central pastoral landscape scene with a farmhouse, tree, winding path and distant hilltop buildings, framed by geometric inlay and walnut veneer. A Neoclassical Marquetry Cherrywood and Walnut Side Table, late 19th century. Austro-Hungarian, in polished cherrywood and walnut veneers with precious hardwood marquetry and scorched detailing. Featured in Vanitas In Use II at Innenkreis.
Installation view of Vanitas in Use II at Innenkreis, featuring Triptychs by Et arrangement, Typhon and Echidna Sitting on a Tree (2026) by Indio Möglich and a Neoclassical Marquetry Cherrywood and Walnut Side Table from the late 19th Century. Installation view of Vanitas in Use II at Innenkreis, featuring Triptychs by Et arrangement, Typhon and Echidna Sitting on a Tree (2026) by Indio Möglich and a Neoclassical Marquetry Cherrywood and Walnut Side Table from the late 19th Century. Photo by Robert Damisch.
Installation view, Vanitas in Use II, Innenkreis, featuring Face by Pettersen Hein, Sbaenk in walnut by Anne Jaedicke, Triptychs by Et arrangement, Typhon and Echidna Sitting on a Tree (2026) by Indio Möglich, and a late 19th-century Neoclassical marquetry cherrywood and walnut side table. Installation view, Vanitas in Use II, Innenkreis, featuring Face by Pettersen Hein, Sbaenk in walnut by Anne Jaedicke, Triptychs by Et arrangement, Typhon and Echidna Sitting on a Tree (2026) by Indio Möglich, and a late 19th-century Neoclassical marquetry cherrywood and walnut side table.
Installation view, Vanitas in Use II, Innenkreis, featuring Face by Pettersen Hein, Sbaenk in walnut by Anne Jaedicke, Triptychs by Et arrangement, Typhon and Echidna Sitting on a Tree (2026) by Indio Möglich, and a late 19th-century Neoclassical marquetry cherrywood and walnut side table. Installation view, Vanitas in Use II, Innenkreis, featuring Face by Pettersen Hein, Sbaenk in walnut by Anne Jaedicke, Triptychs by Et arrangement, Typhon and Echidna Sitting on a Tree (2026) by Indio Möglich, and a late 19th-century Neoclassical marquetry cherrywood and walnut side table.

Not Attributed

A Neoclassical Marquetry Cherrywood and Walnut Side Table, Late 19th Century
Polished cherrywood and walnut veneers; inlaid with various precious hardwoods, partially scorched (gebrannte Marketerie)
81 x 99.5 x 70.5 cm
31 7/8 x 39 1/8 x 27 3/4 in
Copyright The Artist
Enquire
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Further images

  • (View a larger image of thumbnail 1 ) A Neoclassical Marquetry Cherrywood and Walnut Side Table, late 19th century. Rectangular wooden table with a pictorial marquetry landscape depicting a farmhouse, tree, winding path and distant castle, raised on four tapered, fluted legs.
  • (View a larger image of thumbnail 2 ) A Neoclassical marquetry cherrywood and walnut side table, late 19th century, with an inlaid landscape top, single drawer, and four tapered fluted legs.
  • (View a larger image of thumbnail 3 ) Frontal view of a Neoclassical marquetry cherrywood and walnut side table, late 19th century, an inlaid landscape top, single drawer open, and four tapered fluted legs.
  • (View a larger image of thumbnail 4 ) A close-up view of the Neoclassical marquetry tabletop, featuring a central pastoral landscape scene with a farmhouse, tree, winding path and distant hilltop buildings, framed by geometric inlay and walnut veneer.
  • (View a larger image of thumbnail 5 ) Installation view of Vanitas in Use II at Innenkreis, featuring Triptychs by Et arrangement, Typhon and Echidna Sitting on a Tree (2026) by Indio Möglich and a Neoclassical Marquetry Cherrywood and Walnut Side Table from the late 19th Century.
  • (View a larger image of thumbnail 6 ) Installation view, Vanitas in Use II, Innenkreis, featuring Face by Pettersen Hein, Sbaenk in walnut by Anne Jaedicke, Triptychs by Et arrangement, Typhon and Echidna Sitting on a Tree (2026) by Indio Möglich, and a late 19th-century Neoclassical marquetry cherrywood and walnut side table.
  • (View a larger image of thumbnail 7 ) Installation view, Vanitas in Use II, Innenkreis, featuring Face by Pettersen Hein, Sbaenk in walnut by Anne Jaedicke, Triptychs by Et arrangement, Typhon and Echidna Sitting on a Tree (2026) by Indio Möglich, and a late 19th-century Neoclassical marquetry cherrywood and walnut side table.
An elegant late 19th-century side table in the Neoclassical style. The rectangular top features a broad mitered cherrywood border enclosing a rich field of four-way book-matched walnut veneer. This dark wood ground frames a central horizontal marquetry panel depicting a detailed, stylized pastoral landscape. The scene features a prominent farmhouse on the left, a solitary central tree, a winding path or river cutting through rolling hills, and a distant hilltop castle complex on the right. The pictorial depth is achieved through the artful grain alignment of various precious hardwoods and scorched hot-sand shading techniques. The central panel is framed by a delicate geometric wave-and-sawtooth border, while the outer walnut field is enclosed by a contrasting light-and-dark dentil band. The table is fitted with a single frieze drawer and is raised on four elegant, tapered, and fluted square legs.
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