Anne Jaedicke, Sbaenk, 2026

Anne Jaedicke’s Sbaenk, a sculptural walnut bench with an integrated high-backed chair form, installed in a white gallery space beneath a small purple wall-mounted artwork.

Anne Jaedicke, Sbaenk, 2026. Walnut, 75 × 169 × 41 cm. Installation view, Vanitas in Use II, Innenkreis. Photo: Robert Damisch.

Front detail of Anne Jaedicke’s Sbaenk, showing the integrated chair-like form in dark walnut, with a curved high back and long horizontal bench extending on both sides.

Anne Jaedicke, Sbaenk, 2026. Walnut, 75 × 169 × 41 cm. Installation view, Vanitas in Use II, Innenkreis. Photo: Robert Damisch.

Close-up detail of Anne Jaedicke’s Sbaenk, showing the sculpted walnut backrest with a deep curved upper edge, arched opening and pronounced wood grain.

Anne Jaedicke, Sbaenk, 2026. Walnut, 75 × 169 × 41 cm. Detail view, Vanitas in Use II, Innenkreis. Photo: Robert Damisch.

Installation view, Vanitas in Use II, Innenkreis, featuring Face by Pettersen Hein, Sbaenk in walnut by Anne Jaedicke, Triptychs by Et arrangement, Typhon and Echidna Sitting on a Tree (2026) by Indio Möglich, and a late 19th-century Neoclassical marquetry cherrywood and walnut side table.

Installation view of Vanitas in Use II at Innenkreis, featuring Face by Pettersen Hein, Charlotte Moreno Kølkjær’s Black Oyster Vase, Sbaenk in walnut by Anne Jaedicke, Enfold chair by Lærke Ryom and a late Baroque Giltwood Glory (Strahlenkranz). Photo by Robert Damisch.