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Et Arrangement

Et Arrangement

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Et Arrangement’s Triptych II, a black three-panel wall-mounted work with burnished brass hinges and hand-patterned, labyrinth-like lines inspired by the traces of woodboring beetles beneath old oak bark. Et Arrangement, Triptych II, 2026. MDF, hand-patterned and treated with black linseed oil, with burnished brass hinges. Unfolded: 29 x 68 cm. The work traces labyrinth-like paths left by woodboring beetles beneath centuries-old oak bark. Installation view, Vanitas in Use II, Innenkreis.
Detail view of Et Arrangement’s Triptych I, a black three-panel wall-mounted work with burnished brass hinges and hand-patterned, labyrinth-like lines inspired by the traces of woodboring beetles beneath old oak bark. Et Arrangement, Triptychs, 2026. MDF, hand-patterned and treated with black linseed oil, with burnished brass hinges. Unfolded: 30 × 48 cm. The work traces labyrinth-like paths left by woodboring beetles beneath centuries-old oak bark. Detail view, Vanitas in Use II, Innenkreis.
Installation view of Vanitas in Use II at Innenkreis, featuring Triptychs (2026) and (Sn) Skrin bore (2025) by Et arrangement, Typhon and Echidna Sitting on a Tree (2026), a glass vase by Indio Möglich, Charlotte Moreno Kølkjær’s Black Oyster Vase and Sbaenk by Anne Jaedicke. Installation view of Vanitas in Use II at Innenkreis, featuring Triptychs (2026) and (Sn) Skrin bore (2025) by Et arrangement, Typhon and Echidna Sitting on a Tree (2026), a glass vase by Indio Möglich, Charlotte Moreno Kølkjær’s Black Oyster Vase and Sbaenk by Anne Jaedicke. Photo by Robert Damisch.
Installation view of Vanitas in Use II at Innenkreis, featuring Triptychs (2026) and (Sn) Skrin bore (2025) by Et arrangement, Typhon and Echidna Sitting on a Tree (2026), a glass vase by Indio Möglich, and Charlotte Moreno Kølkjær’s Black Oyster Vase. Installation view of Vanitas in Use II at Innenkreis, featuring Triptychs (2026) and (Sn) Skrin bore (2025) by Et arrangement, Typhon and Echidna Sitting on a Tree (2026), a glass vase by Indio Möglich, and Charlotte Moreno Kølkjær’s Black Oyster Vase. Photo by Robert Damisch.

Et Arrangement

Triptych II, 2026
MDF, hand-patterned, treated with black linseed oil, montage with burnished brass hinges.
Unfolded measurements:
29 x 68 cm
11 3/8 x 26 3/4 in

Folded measurements:
29 x 27 cm
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Further images

  • (View a larger image of thumbnail 1 ) Et Arrangement’s Triptych II, a black three-panel wall-mounted work with burnished brass hinges and hand-patterned, labyrinth-like lines inspired by the traces of woodboring beetles beneath old oak bark.
  • (View a larger image of thumbnail 2 ) Detail view of Et Arrangement’s Triptych I, a black three-panel wall-mounted work with burnished brass hinges and hand-patterned, labyrinth-like lines inspired by the traces of woodboring beetles beneath old oak bark.
  • (View a larger image of thumbnail 3 ) Installation view of Vanitas in Use II at Innenkreis, featuring Triptychs (2026) and (Sn) Skrin bore (2025) by Et arrangement, Typhon and Echidna Sitting on a Tree (2026), a glass vase by Indio Möglich, Charlotte Moreno Kølkjær’s Black Oyster Vase and Sbaenk by Anne Jaedicke.
  • (View a larger image of thumbnail 4 ) Installation view of Vanitas in Use II at Innenkreis, featuring Triptychs (2026) and (Sn) Skrin bore (2025) by Et arrangement, Typhon and Echidna Sitting on a Tree (2026), a glass vase by Indio Möglich, and Charlotte Moreno Kølkjær’s Black Oyster Vase.
Et Arrangement presents triptychs bearing labyrinth-like paths left by woodboring beetles beneath centuries-old oak bark.
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