(Sn) Skrin bore by Et Arrangement, 2025. Shrine-like sculpture made from discarded tin. 7 x 29 x 21 cm. Featured in Vanitas in Use II at Innenkreis. Photo by Robert Damisch.
Installation view of Vanitas in Use II at Innenkreis, featuring Triptychs (2026) and (Sn) Skrin bore (2025) by Et arrangement, Typhon and Echidna Sitting on a Tree (2026), a glass vase by Indio Möglich, and Charlotte Moreno Kølkjær’s Black Oyster Vase. Photo by Robert Damisch.
Installation view of Vanitas in Use II at Innenkreis, featuring Triptychs (2026) and (Sn) Skrin bore (2025) by Et arrangement, Typhon and Echidna Sitting on a Tree (2026), a glass vase by Indio Möglich, Charlotte Moreno Kølkjær’s Black Oyster Vase and Sbaenk by Anne Jaedicke. Photo by Robert Damisch.
Et Arrangement
(Sn) Skrin bore, 2025
Tin, excess material and discarded, ruined tin objects
7 x 29 x 21 cm
2 3/4 x 11 3/8 x 8 1/4 in
2 3/4 x 11 3/8 x 8 1/4 in
Copyright The Artist
Further images
In "(Sn) skrin bore", Et arrangement examines the relationship with incontrollable processes through the lifecycle of the woodboring beetle, which leaves patterns under the bark. These traces symbolise natures slow and unseen transformations. The notion of a shrine - an object that traditionally preserves things - as both an object and a metaphor challenges the urge for control. The piece suggests that it is in the encounter with the incontrollable that we learn to appreciate lifes unseen but significant processes.
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