Tronhjem Rømer, Bed Crown, 2026. Digital print on silk, magnets. 200 x 260 x 110 cm. Photo by Robert Damisch.
Tronhjem Rømer, Bed Crown, 2026. Digital print on silk, without magnets. 200 x 260 x 110 cm. Photo by Robert Damisch.
Installation view of exhibition by Tronhjem Rømer, You Can't See It From There at Innenkreis. Featuring Lumi S 1 (2026) and textile work Bed Crown (2026). Photo by Robert Damisch.
Installation view: Tronhjem Rømer solo exhibition at Innenkreis, textile work Bed Crown, 2026. Digital print on silk, magnets. Photo by Robert Damisch.
Tronhjem Rømer
Bed Crown, 2026
Digital print on silk, magnets
200 x 260 x 110 cm
78 3/4 x 102 3/8 x 43 1/4 in
dimensions variable, site-specific
78 3/4 x 102 3/8 x 43 1/4 in
dimensions variable, site-specific
Copyright The Artist
Further images
Bed Crown (2026) by Tronhjem Rømer is a unique spatial textile work in digitally printed silk and magnets, signed and dated by the artists. Suspended from the ceiling, lengths of finely hand-patterned silk drape and fold into a canopy-like structure, marking the imagined position of a bed without ever depicting one. The absent bed — and absent body — remains present through the architecture of the textile alone.
Presented at Tronhjem Rømer’s solo exhibition You Can’t See It From There at Innenkreis, the work reflects the duo’s approach to textile as a material capable of constructing space rather than simply decorating it. Viewed closely, the printed surface resolves into distinct colours and individual elements; from a distance, these dissolve into a soft, atmospheric ombré. Bed Crown shifts continuously between surface and volume, intimacy and absence, transforming a familiar domestic typology into a delicate spatial presence shaped by colour, gravity and the viewer’s position.
Presented at Tronhjem Rømer’s solo exhibition You Can’t See It From There at Innenkreis, the work reflects the duo’s approach to textile as a material capable of constructing space rather than simply decorating it. Viewed closely, the printed surface resolves into distinct colours and individual elements; from a distance, these dissolve into a soft, atmospheric ombré. Bed Crown shifts continuously between surface and volume, intimacy and absence, transforming a familiar domestic typology into a delicate spatial presence shaped by colour, gravity and the viewer’s position.
