Pettersen Hein, All-inclusive Bird Resort. Concrete and pigments, 76 × 75 × 54 cm. Pettersen Hein brings postmodern irony into the memento mori tradition through an ultra-cheerful, colourful concrete birdbath, transforming a melancholy symbol into a holiday destination. Installation view, Vanitas in Use II, Innenkreis.
Pettersen Hein, All-inclusive Bird Resort. Concrete and pigments, 76 × 75 × 54 cm. Pettersen Hein brings postmodern irony into the memento mori tradition through an ultra-cheerful, colourful concrete birdbath, transforming a melancholy symbol into a holiday destination. Installation view, Vanitas in Use II, Innenkreis.
Installation view of Vanitas in Use II at Innenkreis, featuring The Sixth Labour of Hercules, a large green glass centerpiece by Indio Möglich, All-inclusive Bird Resort by Pettersen Hein and Portal Mirror by Charlotte Moreno Kølkjær. Photo by Robert Damisch.
Installation view of Vanitas in Use II at Innenkreis, featuring The Sixth Labour of Hercules, a large green glass centrepiece by Indio Möglich, All-inclusive Bird Resort by Pettersen Hein, Portal Mirror by Charlotte Moreno Kølkjær, Triptychs by Et arrangement, Enfold chair by Lærke Ryom and a late Baroque Giltwood Glory (Strahlenkranz). Photo by Robert Damisch.
Pettersen Hein, All-inclusive Bird Resort. Concrete and pigments, 76 × 75 × 54 cm. Pettersen Hein brings postmodern irony into the memento mori tradition through an ultra-cheerful, colourful concrete birdbath, transforming a melancholy symbol into a holiday destination. Installation view, Vanitas in Use II, Innenkreis.
Pettersen Hein, All-inclusive Bird Resort. Concrete and pigments, 76 × 75 × 54 cm. Pettersen Hein brings postmodern irony into the memento mori tradition through an ultra-cheerful, colourful concrete birdbath, transforming a melancholy symbol into a holiday destination. Installation view, Vanitas in Use II, Innenkreis.
Pettersen Hein, All-inclusive Bird Resort. Concrete and pigments, 76 × 75 × 54 cm. Pettersen Hein brings postmodern irony into the memento mori tradition through an ultra-cheerful, colourful concrete birdbath, transforming a melancholy symbol into a holiday destination. Installation view, Vanitas in Use II, Innenkreis.
Pettersen Hein
All-inclusive Bird Resort
Concrete and pigments.
76 x 75 x 54 cm
29 7/8 x 29 1/2 x 21 1/4 in
29 7/8 x 29 1/2 x 21 1/4 in
Copyright The Artist
Further images
Pettersen Hein brings postmodern irony into the memento mori tradition through an ultra-cheerful, colourful concrete birdbath, All-inclusive Bird Resort, that flips a melancholy symbol into a holiday destination.
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