Pettersen Hein, Face. Concrete and pigments, 28 × 32 × 6 cm. Pettersen Hein brings postmodern irony into the memento mori tradition through a smiling-face wall piece. Installation view, Vanitas in Use II, Innenkreis. Photo by Robert Damisch.
Installation view, Vanitas in Use II, Innenkreis, featuring Face by Pettersen Hein, Sbaenk in walnut by Anne Jaedicke, Triptychs by Et arrangement, Typhon and Echidna Sitting on a Tree (2026) by Indio Möglich, and a late 19th-century Neoclassical marquetry cherrywood and walnut side table. Photo by Robert Damisch.
Installation view of Vanitas in Use II at Innenkreis, featuring Face by Pettersen Hein, Charlotte Moreno Kølkjær’s Black Oyster Vase, Sbaenk in walnut by Anne Jaedicke, Enfold chair by Lærke Ryom and a late Baroque Giltwood Glory (Strahlenkranz). Photo by Robert Damisch.
Pettersen Hein
Face
Concrete and pigments.
28 x 32 x 6 cm
11 x 12 5/8 x 2 3/8 in
11 x 12 5/8 x 2 3/8 in
Copyright The Artist
Further images
Pettersen Hein brings postmodern irony into the memento mori tradition through a smiling-face wall piece.